https://fifichang.art 2026-05-31T14:57:03+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2244031733345877364820426959452/2025-02-25-00325.jpg https://freight.cargo.site/t/original/i/L2935116579728641589982874056651/DSC03523.jpg https://fifichang.art/projects 2026-05-31T18:33:46+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2242537114499758362650545564252/Untitled-5-1-dragged.jpg <a class="button-8-4" href="concrete-motion" rel="history" style="line-height: 0.5;">Concrete Motion (2026)</a> https://freight.cargo.site/t/original/i/O2932270857170341467817106749387/concrete-motion-zine.jpg <a class="button-8-4" href="concrete-motion" rel="history" style="line-height: 0.5;">Concrete Motion (2026)</a> https://freight.cargo.site/t/original/i/D2963763098328395869206862116811/52BEE81F-23BD-4463-9379-11DD98045AF5.jpg <a class="button-8-5" href="bits,-pieces-belonging" rel="history" style="line-height: 0.5;">Bits, Pieces & Belonging (2025)</a> https://freight.cargo.site/t/original/i/G2963763569513579743969939044299/IMG_2777.jpeg <a class="button-8-6" href="beyond-the-hero's-journey" rel="history">Beyond the Hero’s Journey (2025)</a> https://freight.cargo.site/t/original/i/R2963839906143500218089498752971/IMG_9230.jpeg <a class="button-8-7" href="delirium" rel="history">Delirium (2025)</a> https://freight.cargo.site/t/original/i/U2964087797345732238449410848715/1.png <a class="button-8-8" href="nature-in-pixels" rel="history">Nature in Pixels (2026)</a> https://fifichang.art/profile 2026-05-31T14:57:03+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2232315561452512308366566828636/Professor-Georgette-Theyskens.jpg https://freight.cargo.site/t/original/i/J2963715383998621556154361722827/Screenshot-2026-05-31-at-13.33.41.png https://fifichang.art/middle-nav 2026-05-31T18:37:11+00:00 always 0.5 https://fifichang.art/bottom-nav 2026-05-13T18:47:32+00:00 always 0.5 https://fifichang.art/top-nav-(mobile) 2026-06-05T17:01:13+00:00 always 0.5 https://fifichang.art/concrete-motion 2026-05-31T15:13:48+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2932275792965653270281832642507/Concrete-Motion.JPG From Derek Jarman’s falling figures and ballet costume designs to community skateboard footage and handmade stickers, Concrete Motion reveals how the figure in motion becomes a force in redirecting and reshaping the gallery space. Rooted in the London Borough of Camden, the exhibition originates from the open space behind Swiss Cottage Library, where local skaters once carved movement into the concrete before the recent remodelling. To recentre skateboarding within the location, an open call was hosted for skaters to submit their footage and commissioned artists Rough Method and Dan Magee assembled a short film following every skateboarder’s journey from learning through mistakes to the elation of making progress. https://freight.cargo.site/t/original/i/E2963729309021447685799556954059/Screenshot-2026-05-31-at-13.50.23.png Participation continues into the exhibition space where the materiality of the skateboarding world is represented by concrete tones, graffiti art and life-size silhouettes. Visitors are invited to place stickers, produced in a community-led workshop, in and around the gallery. Wheel marks track the gallery floor, which scuff and fade as visitors move around, marking their presence. Together, they enact a space in perpetual motion. https://freight.cargo.site/t/original/i/P2963729309003000941725847402443/Screenshot-2026-05-31-at-13.50.05.png Derek Jarman’s works from the Camden Art Collection have been selected for the exhibition. They capture the movement of ballet through costume design, mirroring the motion of skateboarding and the radical reforming of conventions. Jarman’s use of art as activism to subvert power structures invites consideration of how the figure in motion reflects a process of change and how our own movements can continue to be disruptive. Concrete Motion becomes a space, within the heart of Camden, where the skating community can continue to make their mark. https://freight.cargo.site/t/original/i/S2963757292197251925051781429195/WhatsApp-Image-2026-04-13-at-16.42.46-2.jpeg Contributing Artists: Rough Method Dan Magee Derek Jarman Ed Cowburn Aleksandra Grczyk Dave Hort Ina Kim Kore I.R.P.A.T.G. Branislav Rodman Curated by: Diana Berezhnenko Dana Chang FiFi Chang Tagen Donovan Connie Evans Tamara Greatrex Ina Kim Tara Keys Hoho Lai Kamila Modh Rozely Elizabeth Price Clementia Tinova Daisy Wang Giulia Zampori Zejun Zhu https://fifichang.art/bits,-pieces-belonging 2026-05-31T15:03:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2963770665662430250781383342027/IMG_2775.jpeg <column-set gutter="1"><column-unit slot="0">Bits, Pieces, & Belonging was a collaborative collage making workshop made in collaboration with the Foundling Museum. Drawing inspiration from the countryside experience of the children of the Foundling Hospital, founded by Thomas Coram in 1739 in London. Early after their admission, many of the children where sent to foster families in the English countryside, spending the first five to six years in the care of wet nurses. These early experiences of belonging, nurture and eventual separation have often been overshadowed by institutional histories of abandonment and survival. </column-unit></column-set> https://freight.cargo.site/t/original/i/W2963770890731154694111622608843/IMG_2923.jpeg <column-set gutter="1"><column-unit slot="0">Revisitng this quieter chapter in the history of foundlings, Bits, Pieces & Belonging provided a space for reflection on the complexities of early foster homes in 18th century Britain and the constant human need for belonging and connection. </column-unit></column-set> https://freight.cargo.site/t/original/i/I2963771007388364216250827028427/IMG_2942.jpeg <column-set gutter="1"><column-unit slot="0">Based on archival materials and the personal stories of foundlings such as Catherine Bray (received in 1758) and Hannah Brown (late 18th century), this workshop invited participants to engage in an exploration of these formative experiences and the emotional landscapes they shaped. By collaboratively collage-making, the participants were encouraged to explore ideas of home, care, and memory, by contributing to a shared artwork making that evolved over the course of the session.</column-unit></column-set> https://freight.cargo.site/t/original/i/O2963771105488149200238222522315/IMG_2941.jpeg <column-set gutter="1"><column-unit slot="0">Bits, Pieces, & Belonging was a collaborative collage making workshop made in collaboration with the Foundling Museum. Drawing inspiration from the countryside experience of the children of the Foundling Hospital, founded by Thomas Coram in 1739 in London. Early after their admission, many of the children where sent to foster families in the English countryside, spending the first five to six years in the care of wet nurses. These early experiences of belonging, nurture and eventual separation have often been overshadowed by institutional histories of abandonment and survival. </column-unit></column-set> https://fifichang.art/beyond-the-hero's-journey 2026-05-31T15:03:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2963789318567315728110948202443/IMG_2777.jpeg A workshop developed for the Culture School Symposium at Central Saint Martins, Beyond the Hero's Journey, was co-developed with and facilitated by Dr Karen David, Jaime Prada, and myself. Drawing inspiration from Le Guin's The Carrier Bag Theory of Fiction, the workshop collaboratively reimagines the hero's journey as a vessel for holding, nurturing, and gathering. Working in groups, and utilising prompts and chance devices such as dice and cards, we discuss, imagine and produce narratives as zines, posters, diagrams, maps or audio, sharing our outputs. https://freight.cargo.site/t/original/i/K2963794762146151647578501429195/IMG_2908.jpeg A workshop developed for the Culture School Symposium at Central Saint Martins, Beyond the Hero's Journey, was co-developed with and facilitated by Dr Karen David, Jaime Prada, and myself. Drawing inspiration from Le Guin's The Carrier Bag Theory of Fiction, the workshop collaboratively reimagines the hero's journey as a vessel for holding, nurturing, and gathering. Working in groups, and utilising prompts and chance devices such as dice and cards, we discuss, imagine and produce narratives as zines, posters, diagrams, maps or audio, sharing our outputs. https://freight.cargo.site/t/original/i/R2963795737573084777192171780043/IMG_2901.jpeg This workshop moves beyond the linear, conquest-seeking model of the hero’s journey to explore collective, relational and sustaining forms of storytelling that foster decolonisation, counter-hegemony and reimagined narratives. https://fifichang.art/delirium 2026-05-31T15:03:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2963840943071878089450814191563/IMG_9226.jpeg Delirium is a jewellery collection made by CSM Jewellery Design alumni Heizy (Zaizhi) He. In a cross-course collaborative experience, I authored the interpretive text for Heizy’s Jewellery collection. https://freight.cargo.site/t/original/i/W2963841261075299176129774499787/IMG_9225.jpeg Through our close dialogue, careful listening, and sustained collaboration, our conversations around material practice, bodily perception, and conceptual intent were translated experiential and sensory ideas into a concise curatorial text. https://freight.cargo.site/t/original/i/N2963841433699930217903758522315/IMG_9230.jpeg The final text was featured in the Jewellery Design degree showcase as well as the accompanying catalogue. https://freight.cargo.site/t/original/i/T2963841537278398191782890846155/IMG_9226.jpeg Delirium is a jewellery collection made by CSM Jewellery Design alumni Heizy (Zaizhi) He. In a cross-course collaborative experience, I authored the interpretive text for Heizy’s Jewellery collection. https://fifichang.art/nature-in-pixels 2026-05-31T18:33:47+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2964090667197941505812903507915/1.png Featured below are extracts from my final year dissertation, Nature in Pixels: Exploring World Generation, Player Action, and the Construction of Nature in Video Games. At its heart, this work questions what it means to experience nature through a screen, through codes, and through the logics that simulate growth, boundaries, and labour. Drawing on the work of Ian Bogost, Alexander Galloway, and Alenda Y. Chang, it asks what emerges when we look past the visual surfaces of a game environment, past its visual fidelity to the real and attend instead to what becomes possible in the exchange between player and machine. Taking Stardew Valley (2016) and Minecraft (2009) as its focus, it situates video games as a critical site for rethinking how we relate to and imagine the natural world. The extracts are overlaid onto photographs made in collaboration with Noah Melman, whose images of the figures dissolving into natural landscapes inhabit the same blurred ground the dissertation keeps returning to. https://freight.cargo.site/t/original/i/B2964090667216388249886613059531/2.png https://freight.cargo.site/t/original/i/D2964090667234834993960322611147/3.png https://freight.cargo.site/t/original/i/A2964090667271728482107741714379/5.png https://freight.cargo.site/t/original/i/W2964090667253281738034032162763/4.png https://freight.cargo.site/t/original/i/F2964090667290175226181451265995/6.png